“I think the people get that I’m just kind of an anomaly in a certain way.”
- I think people always want to hear that there are barriers that exist for us. But the more I started to realize artists that are kind of like me in my lane, like, if they were white or African-American, they often had trouble because it wasn’t the quality of their music: they just didn’t stick out.
- I think rap in general allows you to be more lyrically expressive. It’s a lot easier to state your identity, as opposed to with a guitar making all these weird metaphors.
- I think that’s why I was able to do well in the beginning: because it was such a foreign thing. People frame it in a negative way, like, ‘For Asian-Americans there’s no one out there, so that must be really bad for you.’ No, I benefited from it.
- I think the people get that I’m just kind of an anomaly in a certain way.
- I think there are barriers, but I think for me specifically, my barrier is being rejected from the kind of hip-hop elitists that think I’m not appropriating it, but just not serious about it. They think I’m a Lonely Island, Weird Al, you know – like a parody rapper. So that alienates me from a lot of things.
- I used to chop up C-Span soundbites or interviews with politicians like John Kerry or Bill Clinton into a radio-esque show hosted by Awkwafina and her producer, Mookie. I would pitch down my vocals to have male guests and would send them to a small circle of friends after they were done.
- I was always that kid. When I got ice cream, I put it in my eye. When I got my license, I got pulled over so many times for playing ‘Les Mis’ too loud.
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